Tree stump tables are a unique piece of functional art, geared to the high-end interior design industry. Hand-made in the USA of reclaimed American trees, each piece is one-of-a-kind and takes between one to four years to make. A variety of trees are selected based on specific criteria, which include availability, functionality and beauty. With its wide array of trees, the majority of wood comes from southern California. Some of the more readily available woods include ash, maple, oak, eucalyptus, walnut, cedar, juniper, pine. No tree is ever specifically cut to make a tree stump table. Each recycled tree, cleared for construction or end of life cycle, is time-honored, aged between twenty to two-hundred years old.
Possessing an innate reverence and fascination for trees of all varieties, a tree artist is perpetually on the lookout for fallen timber. Though an odd analogy, the resounding clamor of a neighboring chainsaw is powerful music to the artist's ear! This reverberation will instantly reprioritize any current task, in exchange for the wheel of the pickup truck to follow the sound of falling timber. A more likely scenario is the periodic visitation to lumber yards and firewood heaps, where tree arborists dump the remnants of their cut trees. For the wood sculptor, this event can be likened to a child on the loose in a four acre candy factory - a dizzying exploration to unearth hidden treasures. After picking and choosing and pulling and dragging through massive yards of cut timbers, the laden truck is ready to chug back to the shop for unloading.
Sander Orbital
Though minuscule compared to the time it takes for a tree to grow, the necessary duration to properly cure the fresh cut wood is considerable. The sculptor must now exercise patience, waiting one to four years, based on the size and species of the log. For air-drying, which is the favored process, a proper climate is of ultimate importance. Southern California, with its low humidity, is ideal for the stacks of shaded wood to slowly release their moisture to acceptable levels for sculpting. As this happens, the wood will check (crack), a natural process that is inherent to the nature of wood. This checking is considered an accent and design feature, not a flaw and in no way compromises the quality or structure of the piece. Though kiln-drying is also a possibility to quicken the cure time, this procedure creates a slightly different finished look with wider checking as well as an additional use of energy to fuel the kiln. A continual supply of new wood is necessary in a perpetual cycle of storing, drying, sculpting and finishing for market release.
When the wood is at last dry enough, the sculpting and design begins. At this point, wood chisels and rubber mallets remove the bark, which can be a slow and painstaking process or a five minute procedure, depending on the species. Once skinned, the chain saw is powered up to level the piece and remove any undesired limbs or appendages. Unless a custom size or geometric style is being created, the log itself usually dictates the height and shape, as the artist works with the basic existing form. After skinning and leveling, the grinder removes bark remnants for initial shaping and smoothing. Then an orbital hand-sander is used to create the final, velvety surface. Occasionally, the bark is left intact on the sides with a finished top, though only certain species will allow this permanent adhesion. On other species, a loose bark that falls off by itself sometimes reveals a textured surface whose rugged beauty dictates the preservation of that natural state with only minor wire brushing and smoothing of the top surface. Finally, each tree stump table is finished with eco-friendly stains, oils, waxes and sealers.
The lore of trees is woven through time. Held sacred by all recorded ancient civilizations, religions and mythologies, there is profound dignity in a tree, extending up from the earth as a natural totem of power and protection. Throughout history, trees have offered a myriad of gifts: shelter, shade, moisture, fruits, flowers, medicine, oxygen, clean air, fertility, beauty and grandeur. And so, as the tree has given us life, instead of being relegated to sawdust, decay or landfill, it is only fitting that it be resurrected to live again as art. The presence of a tree stump table in the home provides direct contact with the organic beauty and healing power of nature, while serving as a gentle reminder of our important role as stewards of the planet. Please visit our website to view the variety of styles available.
Cyber Monday Dynabrade 21035 6-Inch (152 mm) Diameter Non-Vacuum Dynorbital-Spirit Random Orbital Sander, 12000 RPM, 3/16-Inch 5 mm Diameter Orbit 2011 Deals
Nov 30, 2011 00:27:18
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Cyber Monday Dynabrade 21035 6-Inch (152 mm) Diameter Non-Vacuum Dynorbital-Spirit Random Orbital Sander, 12000 RPM, 3/16-Inch 5 mm Diameter Orbit Feature
- Optional vacuum conversion kits are available to easily convert non-vacuum tool to self-generated vacuum tool or central vacuum tool
- Floating rotor utilizes five blades, producing more usable power. Less air is used more efficiently to maintain maximum power
- Comfort Platform provides additional hand and wrist support. Also offers increased protection against cold air exhaust
- Throttle lever recesses into housing grip when depressed, eliminating pressure-point on operators palm
- Speed Control allows thumb-control regulating of tool speed. Lighter air-motor assembly, ideal for vertical and overhead sanding applications
Cyber Monday Dynabrade 21035 6-Inch (152 mm) Diameter Non-Vacuum Dynorbital-Spirit Random Orbital Sander, 12000 RPM, 3/16-Inch 5 mm Diameter Orbit Overview
- Low profile design with ergonomic grip
- Color-coded levers identify orbit size
- Less weight, more power - 12,000 RPM
- Three orbit diameters to choose from 6" 3/16" Diameter Orbit - Grey Lever - for general sanding
- Low-profile, premium urethane, weight-mated 6" sanding pad included with the tool
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